RE16 - RE50 Broadcast Microphones

Variable-D® dynamic podium or handheld microphone l Tight, supercardioid pattern is uniform over a wide frequency range -- for consistent sound quality at all pickup angles l Variable-D® design virtually eliminates the up-close bass boost(proximity effect) that can make vocals sound "muddy" l Excellent for podium use where high intelligibility is important

Industry Standard Variable-D® dynamic cardioid microphone l Favorite among broadcasters and sound engineers worldwide l Variable-D® design and heavy-duty, internal P-pop filter reduces proximity effect l Internal element shock mount reduces vibration-induced noise l Bass roll-off switch

Variable-D® N/DYM® dynamic cardioid microphone l Reduces proximity effect to maintain uniform LF response at any distance l N/DYM® technology provides wider frequency-responseand higher output l Three switchable filters: one high frequency, two low frequencies, and an internal blast/wind filter cover l Internal blast/wind filter cover reduces P-popping, breath sounds and excessive sibilance

Industry standard live interview microphone. "Mic-within-a-mic" concept reduces wind and P-popping noise. Features EV DynaDamp™ shock mount. Extremely low handling noise for superior sound. Dynamic omni-directional capsule with camera friendly matte black finish.Download a PDF of a "Tape Op" magazine feature on David Lewiston, global music recordist and RE50 enthusiast. Jump to page four to learn why the pro's trust the RE50 in the harshest conditions.

Shock-mounted N/DYM® handheld interview microphone. Same rugged design of the RE50/B, with neodymium magnet structure for higher output. Features EV DynaDamp™ shock mount. Extremely low handling noise for superior sound. "Mic-within-a-mic" concept reduces wind and P-popping noise.Download a PDF of a "Tape Op" magazine feature on David Lewiston, global music recordist and RE50 enthusiast. Jump to page four to learn why the pro's trust the RE50 in the harshest conditions.