DH2T-8/DH2T-16

The Electro-Voice model HP64 is a wide-range, flat-front, high-frequency, constant-directivity horn. It offers economy of space, where geometry is “just big enough for the job.” A horizontal angle is controlled over a frequency range of 1.7 kHz to 20 kHz and the vertical angle is controlled from 1.8 kHz to 20 kHz, both with unusual precision and adherence to the intended angle. Furthermore, excellent loading is maintained to a low frequency of 650 Hz. The HP horn series (U.S. Patent #4,629,029) represents the latest development in “CD” horn design, employing the same principles which EV engineers developed and used to design the world’s first constant directivity horns in 1974. The flat-front TransPlanar™ design makes the HP64 suitable for all modern boxes and clustered systems. A unique, integral fiberglass-and-zinc construction gives a strength-to-weight ratio superior to that of conventional fiberglass horn construction, resulting in exceptional strength in the throat area and elimination of acoustically induced wall vibrations. Lastly, a special vaned waveguide throat detail gives the HP64 unusually good high-frequency control vertically, when compared to similar 2-inch throat horn designs.

The Electro-Voice model HP94 is a wide-range, flat-front, high-frequency, constant-directivity horn. It offers economy of space, where geometry is “just big enough for the job.” A horizontal angle is controlled over a frequency range of 1.2 kHz to 20 kHz and the vertical angle is controlled from 2.1 kHz to 20 kHz, both with unusual precision and adherence to the intended angle. Furthermore, excellent loading is maintained to a low frequency of 800 Hz. The HP horn series (U.S. Patent #4,629,029) represents the latest development in “CD” horn design, employing the same principles which EV engineers developed and used to design the world’s first constant directivity horns in 1974. The flat-front TransPlanar™ design makes the HP94 suitable for all modern boxes and clustered systems. A unique, integral fiberglass-and-zinc construction gives a strength-to-weight ratio superior to that of conventional fiberglass horn construction, resulting in exceptional strength in the throat area and elimination of acoustically induced wall vibrations. Lastly, a special vaned waveguide throat detail gives the HP94 unusually good high-frequency control vertically, when compared to similar 2-inch throat horn designs.

The Electro-Voice model HPT64 is a wide-range, flat-front, constant-directivity super tweeter horn. It offers economy of space, where geometry is “just big enough for the job.” Both horizontal and vertical angles are controlled from 3 kHz to 20 kHz with unusual precision and adherence to the intended angle. Furthermore, excellent loading is maintained to 1,600 Hz. The HPT horn series represents the latest in development in “CD” horn design, employing the same principles EV engineers developed and used to design the world’s first true constant directivity horns in 1974. The flat-front design makes the HPT64 suitable for all modern boxed and clustered systems. A unique, lightweight, integral fiberglass-and-zinc construction gives acoustical and mechanical advantages.

The Electro-Voice model HPT94 is a wide-range, flat-front, constant-directivity super tweeter horn. It offers economy of space, where geometry is “just big enough for the job.” Both horizontal and vertical angles are controlled from 3 kHz to 20 kHz with unusual precision and adherence to the intended angle. Furthermore, excellent loading is maintained to 1,600 Hz. The HPT horn series represents the latest in development in “CD” horn design, employing the same principles EV engineers developed and used to design the world’s first true constant directivity horns in 1974. The flat-front design makes the HPT94 suitable for all modern boxed and clustered systems. A unique, lightweight, integral fiberglass-and-zinc construction gives acoustical and mechanical advantages.

Large-Format two-inch horns The Ultimate in dispersion control, with control of rated dispersion angle down to 500Hz, both horizontally and vertically Directivity control to 500Hz maximizes vocal intelligibility and musical clarity in difficult acoustic environments

Large-Format two-inch horns The Ultimate in dispersion control, with control of rated dispersion angle down to 500Hz, both horizontally and vertically Directivity control to 500Hz maximizes vocal intelligibility and musical clarity in difficult acoustic environments

Large-Format two-inch horns The Ultimate in dispersion control, with control of rated dispersion angle down to 500Hz, both horizontally and vertically Directivity control to 500Hz maximizes vocal intelligibility and musical clarity in difficult acoustic environments

Medium-format two-inch horns Vertical dimensions have been reduced, for use when space constraints preclude the use of large-format horns Horizontal directional control maintained to ~500Hz Vertical control to ~1,500Hz

Medium-format two-inch horns Vertical dimensions have been reduced, for use when space constraints preclude the sue of large-format horns Horizontal directional control maintained to ~500Hz Vertical control to ~1,500Hz

Medium-format two-inch horns Vertical dimensions have been reduced, for use when space constraints preclude the sue of large-format horns Horizontal directional control maintained to ~500Hz Vertical control to ~1,500Hz

Medium-format two-inch horns Vertical dimensions have been reduced, for use when space constraints preclude the use of large-format horns Horizontal directional control maintained to ~500Hz Vertical control to ~1,500Hz

A wide-range, flat-front, high-frequency, constant-directivity horn.