Five Families. Every Voice Covered.

The specialists, in radio studios since 1968. Lean in or sit back and you sound like yourself either way: Variable-D holds your tone steady across your working distance on the RE20, RE27N/D, and RE320, so the low end doesn't swell when you get close. The RE50 gets there from the other end, omnidirectional so proximity effect never shows up at all, shock-mounted and blast-filtered for newsrooms & live remotes.

Start here, priced for the gig bag. The PL80a is supercardioid and shock-mounted, so the mic stays quiet when you don't. On the kit, the PL33 takes kick and the PL35 snare and toms, clamp built in, for rehearsal rooms & rented stages.

Press ClearScan. It finds the clearest of 32 channels, then EZsync sets your transmitter over infrared, so you're not hunting frequencies before a service. Handheld, lavalier, or headworn, for classrooms & sanctuaries.